'Five stars for James Graham’s most moving work yet... On a two-level set by Anna Fleischle that apes the concrete of the Meadows estate from which he springs, David Shields’s Dunne narrates his own story, supported by a superb cast of five.' The Times

'Anna Fleischle’s set design, employing a semi-circular, two-tier, grey stone/metal structure, is impressive. It is used to represent an industrial walkway, boy’s bedroom, prison, club, hospital, and an estate, among many other settings.' WhatsOnStage

'Anna Fleischle’s atmospheric set features a soaring, asphalt-textured bridge, with sloping ramps in front of a painted backdrop of chalky, skeletal buildings. Hidden doors slam shut, blocking escape routes as Dunne’s options diminish.' The Stage

'The spare set, designed by Anna Fleischle, gives unhampered space to the drama of light and sound: the blare of nightclub music as Jacob goes out partying, the glare of lights that bring horror and reckoning. Both fill the stage and seem to surround us, too.' The Guardian